As part of my sequence on Poems in Holy Week, I used my experience of going for a test to focus ideas of mortality and, at least for me, one of the ways that we can get a sense of perspective: observation and metaphor.
I am not sure if there is enough in this poem to make the sense of the narrative clear, just as I am not sure that my conclusion is an ending. Perhaps that is part of the point!
I will print the poem here as a way of keeping the sequence alive and also as a way of laying down an expression of a feeling for later development.
Poems in Holy Week
ii. Monday - City
the concentrated dust
I eat each day;
tablets I believe
more slavishly
than those of law;
my packages against
mortality and what’s
inevitable,
I find,
each day, my life acquires
new acronyms, significant
but I don’t know
exactly what they mean
I go for tests that are
increasingly intrusive
and undignified
just like today when
in the city, in a hospital,
with papers and identity
I’m shuffled off to wait
and think,
I stare at chairs,
the sort that do not
fit in homes, but
are the stuff of
public space,
The chairs are grey,
with lacquered metal arms
which curve with elegance
up, forward, slightly
splayed.
Two curved, matt planes
for back and seat as if
carefully cut from
fragile shell of giant egg,
thin, delicate. They take
light well, reflecting gleams
in unexpected, subtle ways.
They people emptiness
with waiting space and
give expectancy to absence.
I know I will be called,
things done,
decisions made,
and chairs will not be
a consideration.
a consideration.
I have used punctuation, line length and positioning in more obvious ways in this poem than is my usual approach. I would appreciate feedback on this, or indeed on any other aspect of the poem.
No comments:
Post a Comment