Sunday 12 April 2020

PIHW 8 Easter Sunday - Waiting


As a teacher the date of Easter is important.  It determines the length of the spring and summer terms.  It makes preparation for examinations difficult as terms are not equal.  The Easter holidays can be too soon or too late, they are rarely just right.  And the school year is determined by the date of Easter, in spite of the fact that the majority of the population is not really interested in the importance of the festival, just concerned about the holidays.
     I realize that the date of Easter has been of paramount importance in the history of theology.  People have lost their lives over the question of when it should occur, and Easter is still celebrated at different times depending on the denomination of the faith that you hold.
     Most people would unhesitatingly say that Christmas is the most important Christian festival, and they would be wrong: rising from the dead, the resurrection, is the central tenet of the Christian faith, but how many people see the festival as a justification of eating Cadbury Cream Eggs rather than confessing the faith of Christ crucified and the rising from the dead?  Well, let it pass.
     The following poem started with a few thoughts about the date of Easter, The Golden Number in its computation and the difficulties about its moveable nature.
     Our neighbourhood is not a very demonstrative one, so the sudden explosion of sound in the early afternoon as the people in an adjacent street decided to have a sort of segregated roof party was surprising.  I incorporated this ‘event’ into the final poem.
     Of all the Easter Day poems that I have written in my series of Poems in Holy Week, this one is the most bitter.  Usually there is a sort of wistfulness about the day, with a twitch of lost faith to enliven things, but this poem felt different.  It may well be that the extraordinary circumstances surrounding this Easter with the lockdown because of Covid-19 has fed into the response as well.

 

 

Waiting




At times like this,
the vague absurdity of honouring
a festival, date-anchored by the moon,
and at the culmination of a week
that people generally ignore,
is little less than sad.
Put aside irony
of dressed-up priests
in vacant naves
with pious platitudes
that do not, cannot save,
and you have emptiness.
The tomb.  The body politic.
When will salvation come?

Today the sky was overcast.
The sun did shine,
but fitfully.  It was not cold,
but breezes were uncomfortable.
A holiday.  But just in name.
A day like all the other days
within unstructured weeks
inside the walls.

Outside, the sort of bass,
and at a volume that
reverberates in floors and bones
of music with a beat and
nondescript and nothing that I knew
from terraces in an adjacent street.
And there were flags and some balloons
and masks (but not of carnival design)
and people dancing in comparted space
with neighbours on the far side of the road.

And then, at last, The Bee Gees,
even I could recognize.
And shouts and claps from streets
and streets away and then,
almost too aptly,
“We are fam-ah-lee” blared out,
and everyone who I could see:
the children round the pool ahead
the parents on the tennis court;
people gardened back and front;
the terraced folk on lofty roofs,
moved or tapped in harmony
of sorts.  As near a celebration
we are like to get.  For now.

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